Don Juan sells despite Murray’s fears
When Cantos I and II of Don Juan were being prepared for the press, it was chiefly Murray’s advisers — especially Gifford — who kept up the lament about “so much beauty, so wantonly &…
When Cantos I and II of Don Juan were being prepared for the press, it was chiefly Murray’s advisers — especially Gifford — who kept up the lament about “so much beauty, so wantonly &…
When the first two Cantos of Don Juan appeared on 15 July, 1819, readers immediately guessed — many had anticipated — the the authorship. The next day, the Morning Post carried a brief article sub-titled…
The path to the first publication of Cantos I & II of Don Juan was unlike that of any of Byron’s earlier verse. It is worth our attention because it reminds us — who now…
A section of the preface to my Annotated Cantos I & II (with audio narration) planned for the bi-centenary of Don Juan in 2019. The first two cantos of Don Juan were published in July,…
Another section of the preface to my Annotated Cantos I & II (with audio narration) planned for the bi-centenary of Don Juan in 2019 The popularity of Byron’s poetry even today owes much to an…
This article was originally intended as a draft of an introduction to the “Bicentennial” edition of Cantos I & II that I have now posted. I decided not to use it there but I want…
TL;DR An up-dated draft of my “Annotated Don Juan” is available. It now provides notes and illustrations for Cantos I, III and IX. Get it here and read along with the narration. At the end…
Just now there’s a lot of interest in theories of behaviour as ‘signalling’. For example, education choices and curricula are said to be “about” signalling wealth or conformity with corporate ethics rather than about getting…
Visitors to this site who know some of Lord Byron’s early lyric and love poetry — perhaps encountered at school — are sometimes puzzled by his longest work, Don Juan. Even repelled. They’re struck by the…
Here’s a recording — about 2‑years old — of Canto IX of Don Juan. The recording (MP3) is in three parts. It’s best to read along with the text of the poem if you can because…