“…And Glory long has made the Sages smile;
‘Tis something, nothing, words, illusion, wind,
Depending more upon the Historian’s Style
Than on the name a person leaves behind,
Troy owes to Homer what Whist owes to Hoyle;”
Don Juan, Canto III, verse 90
I never met or corresponded with Peter Cochran, who died last week. But his writing was witty, well-informed and opinionated so that it was impossible after reading quite a lot of it not to imagine a personality and voice.
Dr Cochran’s scholarly work on the text of every Canto of Don Juan, his 20-year labor on the Hobhouse diaries from the Byron years and his precise editions of Byron’s correspondence with Hobhouse, Lady Melbourne, Douglas Kinnaird and John Murray and several of his critical essays have been enormously helpful to me in preparing to read and to annotate/illustrate Don Juan.
Peter Cochran produced an erudite, annotated text of the poem based directly on the manuscripts and the fair copy (supervised by Byron) rather than on the emendations or approximations of Byron’s early editors as so many later editors have done. The result, as he argues, is more fluid (much less orthodox in punctuation) and sometimes more ambiguous in meaning. But the Cochran text gives the impression of being all the more faithful to Byron’s own voice than the ‘corrected’ versions produced by John Murray or even later scholars such as E.G. Stefan and Jerome McGann. (I also consult the Steffan text).
Better, for all its scholarly value, Cochran’s edition of Don Juan is a lot of fun. PC’s annotations — like his essays — often extract or fill-out relevant details of Byron’s life, or reading (or pets) not found, or passed over, even in Leslie Marchand’s monumental 3‑Volume biography or (selected) Journals and Letters. Best of all, PC appreciates Byron’s humour, temper and (many) foibles to an extent that many of his — chiefly American — editors apparently do not.** It would not be too much to say that Byron’s modern glory may owe something to Peter Cochran’s ‘Historian’s Style’.
He generously made all this work — and much more — available on his website in PDF format. His daughters, who seem to be his literary executors (and Twitters) say they will maintain his site; for which I am grateful. I expect to rely on it for some time to come as I work through this project to narrate and illustrate Don Juan.
Hail and farewell.
** I make one exception to this observation: the spectacular Isaac Asimov Annotated Don Juan, illustrated by Milton Glaser. IA is an annotator rather than an editor whose commentary on the poem sometimes seems to skirt the sensibilities of his 1970’s American audience. But Asimov, like Peter Cochran, got the comic genius and the singular scope of Byron’s great work.